“As “Mother,” Rachel Rhodes-Devey gives a beautiful portrayal of a woman who transforms from the dutiful, early 20th century Stepford wife shackled to home and hearth, to a woman not only discovering her place in the world–and her right to it—but defining her identity and self-worth and strength as an individual—with no man required... With a vocal performance capturing every nuance of the struggle Mother faces, Rhodes-Devey brings veracity and depth to the role, as she gives beautiful true voice to her journey... Rhodes-Devey’s Mother epitomizes the “coming of age” of many a white woman of the time... She combines an almost ethereal fragility with a soon-to-be-discovered spine of steel. All Rhodes-Devey’s numbers throughout the show are strong, pure, and moving, but perhaps none more so than her paean to embracing her freedom as a free-thinking woman with the riveting “Back to Before”, delivering this ultimate declaration of independence and proclamation of emancipation with true star power, pathos and passion.”

“Mother, whose story of growth and tolerant understanding is beautifully played by Rachel Rhodes-Devey, becomes the central figure in the show. Her beauty and her singing are top-notch and she gives emotional clarity to her every utterance, spoken or sung.”

“Rhodes-Devey takes the full measure of this interesting and interested woman, with subtle looks and gestures and a voice that matches the demands of each song. Lovely work.”

“Rachel Rhodes-Devey brings strong femininity, period-truth, and a natural dignity to the role of Mother. When she and Belyeu stand almost motionless observing their children in Act II, it is the peak of the evening.”

“Rachel Rhodes-Devey stepped in to play the lead role, and did so magnificently... Rhodes-Devey, who will continue in the role of the cockeyed optimist from Little Rock, Ark., delivered a flawless performance. Her mezzo-soprano voice is strong and delightful to hear. More powerful, still, is her acting ability.”

“As Nellie Forbush, Rachel Rhodes-Devey possesses a big singing voice and equally subtle acting skill for the dramatic scenes. Her renditions of “A Wonderful Guy” and “Honey Bun” were two of her best vocally while her acting skills were highlighted in the scene when she finds out that Emile was married to a woman of color.”

“Rhodes-Devey superbly meets the vocal and acting demands of the role.”

“Against this setting, Ensign Nellie Forbush (sweetly portrayed and impeccably sung by Rachel Rhodes-Devey) falls in love with Emile de Becque, a middle-aged Frenchman who has settled on the island.”

“There is much I could write about this wondrous production - it would truly be an outpouring of accolades and compliments to such a classic production. I am convinced, however, that the best thing I can write about this show is, simply: Go see it... Both Ms. Rhodes-Devey and Mr. Guzzo’s voices will enchant and mesmerize you, filling the rafters with incredible songs and music, beckoning to a forgotten time.”

“Mrs. Irene Molloy was played by Rachel Rhodes-Devey who delivered a delectable performance. She acts the role with sensitivity and strength, and she sings with a beautiful tone... Rhodes-Devey makes it impossible not to fall in love with Irene. Her beauty and her grace under fire separate her from the rest, and this actress uses that element of the character to enhance her performance in every way.”

“Rhodes-Devey, with the best voice and acting chops in the show, is both beautiful to look at and to hear.”

“In particular, there is the wistful “Ribbons Down My Back” sung beautifully by the milliner, Irene Molloy (Rachel Rhodes-Devey). Ms. Rhodes-Devey moves from the pensive song to a romantic character with fine comic underpinnings.”

“Rachel Rhodes-Devey as Frank’s first wife, Beth, delivers a flawless performance.”

“A heartbreakingly beautiful performance by Rachel Rhodes-Devey, as Frank’s first wife Beth, who sings a “Not A Day Goes By” to remember.”

“Rachel Rhodes-Devey as Beth, Frank’s first wife, is very believable and sings wonderfully. She makes “Not A Day Goes By” a highlight of the show, and she, Mosbacher and Park pull off the tricky Tom Lehrer-esque “Bobby, Jackie, Jack” with precision, making it gloriously funny and fun.”

“Similarly the featured actors are perfectly cast, with Rachel Rhodes-Devey making for a serene Beth Spencer who’s romantic enough without being foolish.”

“Besides the three leads, several of the supporting players bring an outstanding level of expertise to their roles...Rachel Rhodes-Devey as Frank’s ex-wife, Beth Spencer, provides touching moments as we see the dissolution of their marriage, in reverse. When she sings “Not A Day Goes By,” basically telling Frank he has destroyed her by his actions, you can see and hear her pain.”

“Rhodes-Devey turns in a commanding role as Tzeitel, a daughter who wants to please her father but it also a budding feminist.”

“The honey-voice trio of Tevye’s eldest daughters captures the simplicity and strength of each of the girls. Rhodes-Devey is a determined, assertive Tzeitel.””

“Rhodes-Devey, Howard, and Rabadi are delightful in the song, “Matchmaker, Matchmaker,” in which they have powerful vocals... These three fine actors are exceptional in their roles, Rhodes-Devey gives Tzeitel determination and humor.”

“Rachel Rhodes-Devey is sultry as Milo Davenport, not to mention striking in appearance.”

“The heavenly mom, played by Rachel Rhodes-Devey, has vocal skills to match. She sings like an angel.”

“Rhodes-Devey sings beautifully and has an almost otherworldly presence.”

“The character Dead Mum, played by Rachel Rhodes-Devey, pulled tears from an audience filled with folks already devastated by Billy’s mistreatment by his father.”

“...while crystal-voiced Rachel Rhodes-Devey is Billy’s Dead Mum - who is conjured up mostly in his mind.”

“Rhodes-Devey, an Albany-area native, is back giving a strong and warm performance. Rachel sports a strong and beautifully classic voice that warms the heart. Her old-fashioned, toe-tapping performance of the second act dancer “Should I Miss Him” will make you want her to tap some more.”

“And, aided by a strong cast, they manage moments of heartbreaking beauty...especially the songs delivered by Rachel Rhodes-Devey as the left-behind love of Homer’s brother. Blessed with a dark, evocative voice, Rhodes-Devey is an actress poised for more work; her songs are constantly the highlights of the show.””

“Rachel Rhodes-Devey brings the right amount of gravity to her role as Bora-Boh’s mom, Willa-mah.”

“As the Chief and Willa-Mah, Rhys Gilyeat and Rachel Rhodes-Devey had great chemistry, sounding quite heavenly together.”